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Negative Image Superman Logo T-Shirt Joker Convertible Batman Backpack Think Green Lantern T-Shirt Four Heroes Justice League Shirt I am Superman Costume Shirt Page 1 of 6 Page 1 of 6Sorry we couldn't find the page youmkto hoodies Here are some links you might find useful...crx hoodiesLAS VEGAS -- The Swedish man who got his start playing online poker after late restaurant nights while he trained to be a chef is $10 million richer after winning the top World Series of Poker main event prize Tuesday night.cookie monster hoodie philippinesMartin Jacobson, 27, had three tens to beat Felix Stephensen of Norway and his pair of nines."meerkat hoodie

There's no such thing as a 'perfect tournament,' but this was close to perfect, maybe," Jacobson said after the confetti blasts signaled his win had been cemented and friends and family ran to embrace him.Jacobson would come home late from nights in a restaurant and none of his friends would be awake to chat or hang out, so he started playing online poker, said his mother, Eva.He was the only player of the final nine to have earned more than $1 million in World Series of Poker career earnings at tournaments. supreme flag hoodie fakeBut he had never won the top spot, coming in second in some cases, until Tuesday, when he won the most watched contest in the tournament."rst hoodieIt's his thing," Eva said during Tuesday's head-to-head play.creepypasta hoodie's sister

Jacobson exhibited a calm stillness throughout the two days of poker playing.He didn't wear sunglasses, a hoodie or a baseball cap like other players to hide tells. He often stared at his opponents across the table, blinking through black-rimmed glasses.This wasn't his first try at the big win. He traveled to Las Vegas, days after he turned 21, to enter the main event. But he busted out after a few hands, his mother said."I think that was good for him," she said in the lobby of the Penn & Teller Theater at the Rio while her son amassed more chips on stage inside. He learned it wasn't going to be an easy task, she said.Stephensen, 24, took home a $5.1 million prize for second place."It's disappointing to be so close, but I got really lucky to get this far, and it was a tough final table," he said.The two defeated Jorryt van Hoof, the leader throughout most of play, to go head to head.Van Hoof, a poker pro originally from the Netherlands, had an icy stare and a formidable chip lead against the two other European players going into Tuesday night's final table in the World Series of Poker.All had been vying for the $10 million top prize and a coveted World Series of Poker gold bracelet.

But on Tuesday night, van Hoof donned a pair of sunglasses, lost his lead, couldn't regain it and finally lost after three hours of play with a pair of fives to a pair of tens held by the man who took his early lead.Van Hoof, 31, earned $3.8 million for third place.The Dutch pro who has his own poker coaching business donned sunglasses for several hands Tuesday night; they hid his usual cold stare."I never wore glasses in my life, but it was really hot," he said of the bright studio lights."I guess I'm not going to do that anymore," he said, chuckling.Van Hoof also didn't just have a cheering section making creative use of his name ("Van Hoof, van Hoof, van Hoof is on fire," they chanted). He had an entire team of friends and coaches analyzing spreadsheets, the table play and the half-hour delayed ESPN live broadcast. All that information was given to a captain, of sorts, who then would filter it to van Hoof.It was the first time in the World Series of Poker's history that the final three players in the no-limit Texas Hold 'em main event didn't include a single American.All three players live in London."

I enjoyed playing with these guys," van Hoof said. "We're going to meet up. And the winner will pay for my dinner."They outlasted six other finalists during 12 hours of play Monday night and into Tuesday morning and began playing again Tuesday night.Van Hoof had a third more chips than Jacobson and nearly double the total of Stephensen going into the final faceoff.The main event, culminating this week, is just one World Series of Poker event but certainly the most watched.About 6,700 people paid the $10,000 entry fee to try their luck over the summer to be finalists in the main event.CHICAGO — Midafternoon on Saturday at U.S. Cellular Field here, a big video screen captured Chance the Rapper’s giddy reaction as he watched Kanye West perform that lighthearted chestnut about the love-money nexus, “Gold Digger.”About 15 minutes earlier, Mr. West had taken the stage without warning, an unannounced guest at Magnificent Coloring Day, the new, one-day festival organized by Chance. This was an act of quasi-parental love — Mr. West was scheduled to perform a show of his own on Saturday, in Nashville, but flew in for the surprise set: a gift to Chance, who is one of Mr. West’s most promising and vivid inheritors, and also to the South Side of Chicago, where both men were raised.

Magnificent Coloring Day was a music festival — not in and of itself remarkable — but also an act of civic responsibility, pride and emotional investment. The internet may have erased regional loyalties in sound and taste, but it can’t change how one feels about the blocks of one’s youth.For Chance, the South Side of Chicago is both a sturdy foundation and also an object of concern. The area can be a place of catastrophic violence, and Chance’s jubilant, gospel-leaning hip-hop is flecked with streaks of melancholy. But mostly it is about pride — “Lil Chano from 79,” he calls himself, as in 79th Street, in the Chatham neighborhood. At the merchandise tables here, commemorative hoodies had Lil Chano 79 on the back, rendered in sports-jersey style. And high up over home plate, right next to retired player numbers — 72 for the retired White Sox catcher Carlton Fisk; 42 for Jackie Robinson (whose number was retired by Major League Baseball) — was a flag that read Lil Chano 79.

That Lil Chano from 79 was able to take over Cellular Field, the baseball stadium closest to his childhood neighborhood, and have his name hung in the rafters, was a triumphant act, and a profound gift to a specific place. Chance has spent the past few years bringing Chicago to the world; on Saturday, he brought the world to Chicago, with performances by Mr. West; the dance floor incinerator Skrillex; the rabble-rousing rapper Tyler, the Creator; the austere, gifted soul singers John Legend and Alicia Keys; and the Southern rap heroes Lil Wayne and 2 Chainz. Magnificent Coloring Day was also a corrective, perhaps, to what up until this day was the grandest music-related event to ever occur in the stadium that houses the Chicago White Sox: the 1979 disco demolition night that turned Comiskey Park, then the White Sox home, into a battleground of musical values and intolerance. Sign Up for the Louder Newsletter Every week, stay on top of the latest in pop and jazz with reviews, interviews, podcasts and more from The New York Times music critics.

Receive occasional updates and special offers for The New York Times's products and services. On that night, center field — where thousands of pieces of vinyl were exploded into shards — was a theater of the absurd, and also the rude, racist and homophobic. But on this night, center field was a place of hope. For much of the day, the festival toggled between competing urges to allow fans to let loose and to be soothed. Early on, Lil Uzi Vert and Tyler, the Creator delivered sets full of melodic petulance. Tyler is by this point almost an elder statesman of youthful rebellion, practiced in inciting chaos. Lil Uzi Vert is younger, and meshes his upheaval with splashes of beatific love. In the evening, Lil Wayne and 2 Chainz performed together (as the duo Collegrove), running through more than an hour of humorously snarling hits. (Young Thug missed his scheduled afternoon set.)Booking Ms. Keys and Mr. Legend appeared almost perverse from a distance — the comedian Hannibal Burress, in an interlude, suggested the festival was arranged by a shuffle feature.

The two edgeless singers were about a decade older than most of the rappers on the schedule. And yet it worked as a balm. Ms. Keys was intermittently strong, her voice excellent on older hits and too good for her dimmer newer material. Mr. Legend, typically unctuous, was immaculate here, exuding confident calm behind his piano in front of a crowd that had just been shrieking for Mr. West.The last song Mr. West performed, after a quick medley of old and new hits, was “Ultralight Beam,” his collaboration with Chance from his most recent album, “The Life of Pablo.” It was an affecting moment — elder and younger coming together in praise — and the highlight of the whole day. Chance seemed unburdened, able to marvel at what he’d pulled off.At night, Chance performed his headlining set, which initially appeared to be weighing more heavily upon him. After a couple of exuberant songs — “I got my city doing front flips,” he rapped on “Angels” — he said to the crowd, “It doesn’t feel real yet.”

He played a muted song from his first mixtape, then walked offstage.When he returned a couple of minutes later — perhaps he was rearranging the set list? — he appeared to be torn between the urge to uplift the whole stadium, or to noodle along to his own instincts. Complicating matters, he introduced a life-size Muppet-like puppet, Carlos the Lion, who served as a sort of elder antagonist figure, constantly prodding Chance to remain on message.The exchange was, at times, mystifying, structurally loose and distracting — an id and superego having a conversation over a fuzzy phone connection. When he was joined by a second puppet for a duet of the sweetly melancholic “Same Drugs,” it cohered slightly more, but still approximated puppet theater. After around 15 minutes of this, Chance switched modes, shifting to reliably high-energy songs from “Coloring Book,” his recent album, including “No Problems” “Mixtape” and “All We Got.” His unbridled joy here was a rejoinder to his earlier bewilderment — the internal tug-of-war was tactile.

What settled the debate was faith. No rapper more effectively renders praise music than Chance. “I speak to God in public/He keep my rhymes in couplets,” he raps on “Blessings (Reprise).” When midway through his set, silence between songs was cut through by a choir — yes, a puppet choir — singing “How Great,” the mood changed from plain old celebration to worship. The songs that followed — “Finish Line/Drown,” “Blessings (Reprise)” (backed by the Chicago Children’s Choir) — were trembling with energy.Whatever back and forth Chance had been experiencing earlier in the night had evaporated. Maybe because he realized that what happened in this stadium, while important, wasn’t the goal. “Did you know that your blessing is not at this show?” he told the crowd, then assured them, “But it’s coming. Did you know that your blessing is not made of flesh? A Bright Day on Chicago’s South SideMagnificent Coloring DayESTABLISHED 2016WHAT IT IS A taut cross-genre festival that was Chance the Rapper’s love letter to Chicago’s South Side, and also a display of his influence in this city.

ATTENDANCE Nearly 48,000 people, a number that Chance said broke the record for White Sox stadium events.NUMBER OF PERFORMERS A heavy-hitting lineup with just nine acts.LANDSCAPE A baseball stadium in the Armour Square section, south of Chicago’s downtown.TYPICAL FESTIVALGOER Young, ecstatic and diverse. At least a couple of dozen were sporting the overalls favored by Chance, and thousands more wore commemorative T-shirts, sweatshirts and caps bought that day.Best MomentNot long after Tyler, the Creator finished his set, the lazy opening figure of Kanye West’s “Father Stretch My Hands Pt. 1” began booming through the stadium speakers. Fans were streaming off the field to go grab food, buy merchandise, use the bathroom. “He’s not coming,” one said to his friend, who looked crestfallen. Then, a roar from the field — there was Mr. West, clad in all black, rapping in the early fall sun. Cue mayhem — thousands of fans surged toward the field, overwhelming ushers and guards meant to keep them in their section.