Find out more about Civil Double check your spelling for typos. Use general product term(s) or fewer keywords. Try searching for an item that is less specific and refine results. If you are looking for a specific item from a printed ad, enter the search term or web id as shown. Send us a message“In the past few years, Mercy For Animals has conducted investigation after investigation at Walmart pork suppliers across the country—and every time they’ve exposed horrific animal abuse.” “Help me stop this! New @MercyForAnimals video exposes birds tortured for @TysonFoods. “Shocked and saddened by @MercyForAnimals latest undercover investigation. Help stop animal abuse.” “I support Mercy For Animals because they are so very effective in their investigations of animal abuse. Anyone who contributes to Mercy For Animals can be sure that he or she will get their money's worth!” “Mercy For Animals investigations are making headlines and changing the way people think about foods, and forcing big companies to change their ways through public pressure.”

“New @MercyForAnimals investigation results in 10 people charged with 49 counts of criminal animal cruelty. “Mercy For Animals is on the front lines exposing the truth about what goes on in factory farms and slaughterhouses.”nervo hoodie “Mercy For Animals are my heroes. hustle gang hoodie ukI am proud to be an active member of their compassionate army.”hoody korean singer profile “What’s closest to my heart is farmed animal welfare and that’s one of the reasons why I love Mercy For Animals.”sons of anarchy clothing dublin “They’re heroes to me and I love them.”hoodie allen tickets hamburg

“If I were a factory farmer, I'd lose sleep knowing that Mercy For Animals was out there.” “I’m a Mercy For Animals supporter because I believe that we should know where our food comes from. torchwood hoodieI think it’s great that they do undercover investigations and really fight for animals that don’t have a voice.”ocelot hoodieYour current browser isn't compatible with SoundCloud. Please download one of our supported browsers. The Acting department admits talented and committed individuals who possess an active intelligence, a strong imagination, and a physical and vocal instrument capable of development and transformation, and prepares them for work as professional actors. The program of study combines in-depth classroom training with extensive production work. At the conclusion of their training, individuals are prepared to work on a wide range of material and in a variety of venues.

Students are required to attend all classes in their curriculum. In addition to courses offered in their department, actors take Survey of Theater and Drama and The Collaborative Process. The first production opportunity comes at the end of the first term with the presentation of collaboratively created projects. Actors work with directors, dramaturgs, and playwrights from their class to create theatre pieces based on source material assigned by the faculty. After this project, students in good standing enter the casting pool for school productions and are cast alongside second- and third-year actors. Production opportunities include work in a diverse season of six Yale School of Drama plays opened to the general public. All casting is assigned by the chair of the Acting department (pending approval by the dean) based on the developmental needs of each student, and on the needs of the project as articulated by its director. Not only is each class of actors a working ensemble as it trains, but also each actor works as part of a larger company consisting of all three classes of actors.

That company works within a still larger ensemble consisting of members of all eight departments of Yale School of Drama. Actors work with directors, dramaturgs, playwrights, designers, managers, stage managers, and technicians and develop collaborative relationships that continue throughout their three years and indeed, in many cases, throughout their professional lives. Yale Repertory Theatre serves as an advanced training center for the department. All acting students work at Yale Rep as understudies, observing and working alongside professional actors and directors. Many students have the opportunity to perform in roles on the Yale Rep stage, depending on their appropriateness to the parts available. Through work at the professional theatre, those eligible students who are not members of Actors’ Equity Association will attain membership upon graduation. Yale Cabaret provides an additional, although strictly extracurricular, outlet for the exploration of a wide range of material: serious, absurdist, improvisational, and musical.

During the school year, acting in projects outside Yale School of Drama is discouraged, and permission to do so is rarely given. Members of the acting faculty, as well as those of the other departments in Yale School of Drama, are all working professionals and maintain active careers at Yale Repertory Theatre and in theatres in New York and around the country and the world. They bring the energy and vitality of that activity into their work with the students. The Acting department’s three-year plan of study and detailed course descriptions appear in the Bulletin of Yale School of Drama.  Click here for the Bulletin. Photo Credit: Jonathan Majors (’16) and Jenelle Chu (’16) in Paradise Lost by Clifford Odets, Yale School of Drama, 2014.Crimes of the Art is a weekly survey of artless criminals’ cultural misdeeds. Crimes are rated on a highly subjective scale from one “Scream” emoji — the equivalent of a vandal tagging the exterior of a local history museum in a remote part of the US — to five “Scream” emojis — the equivalent of the Isabella Stewart Gardner Museum heist.

Elizabeth Clausen, a teacher at Dayton High School in Nevada, is serving a temporary suspension after asking her students to articulate their opinions of the Michael D’Antuono painting “A Tale of Two Hoodies (Racism).” The work in question, rendered in a Norman Rockwell–like aesthetic, shows a police officer wearing a KKK hood and pointing a gun at a young black boy, who’s wearing a white hoodie and offering the cop candy. Behind them, a US flag is torn open to reveal a Confederate flag underneath it. Verdict: The real problem with this exercise is that the artwork is just awful — there’s nothing else to say about it. Canadian pop star Justin Bieber was ejected from the Mayan site in the Mexican resort town of Tulum after allegedly showing up drunk, attempting to climb an ancient building, insulting National Institute of Anthropology and History workers, and pulling down his pants in protest of demands that he behave himself. Verdict: Justin Bieber is the worst.

Marc and Andre Salz, the sons of late art dealer Sam Salz, claim their stepmother, Janet Traeger-Salz, stole three paintings worth millions that were due to them as heirs — pieces by Claude Monet, Edgar Degas, and Pierre-Auguste Renoir — from their father’s estate. Verdict: Let the Renoir go, guys; don’t you know nobody likes his work anymore? The US Department of Justice has abandoned attempts to restitute the 3,200-year-old mummy mask of Ka-Nefer-Nefer, an object that disappeared from Egypt decades ago and wound up in the collection of the St. Louis Art Museum. The museum bought the mask — which disappeared from a storage facility in Egypt between 1966 and 1973 — from a New York antiquities dealer for $499,000 in 1998. Verdict: Big mistake — the Midwest is not immune to the curse of the mummy. Archaeologists are accusing Britain’s Channel 5 of encouraging “grave-robbing” with the planned reality television program Battlefield Recovery, which follows amateur diggers excavating war graves and battle sites in eastern Europe.

The series is believed to be a rebranded version of a show the National Geographic Channel scrapped two years ago following a similar uproar — that show was titled Nazi War Diggers. Verdict: Whoever though rehabilitating a show called Nazi War Diggers was a good idea has dug his own professional grave. Two men were arrested in Istanbul and charged with smuggling a painting believed to be by Anthony van Dyck after attempting to sell it to undercover Turkish police officers. The work had allegedly hung on the walls of a family home in Georgia for 15 years, and the family that owned it, not knowing who it was by, agreed to sell it for $37,000 (though the two men only ended up paying them $7,000). Verdict: The smugglers were wasting their time — van Dyck’s non-portrait works aren’t worth the canvas they’re painted on. Australian street artist Ash Keating claims that the recent defacement of his mural in Christchurch, New Zealand, by a large tag was the result of a “snowball effect” set in motion when an insurance company put a vinyl advertisement banner over a portion of the mural.