Fame House is an award-winning global agency with a modern approach to direct-to-fan digital marketing and merchandising. We build, manage, and activate online fan bases through a comprehensive service offering. With roots in the music industry, our team works with artists, labels, events, and brands to implement digital marketing and social media strategy to drive fan acquisition, engagement, and sales. We grow businesses and monetize audiences through the forward thinking use of technology. Since 2011, we have been critical behind-the-scenes partners to the most successful players in the music and entertainment industry, helping our clients navigate the ever-changing evolution into digital. Now That’s What I Call Music! Digital Strategy & Marketing Social Media Management & Strategy‬ Creative Services‬‬, Design & Development‬ Merchandise & Web Store Managemew All Two Fame House projects were selected by Music Ally for their annual year-end issue, “The Year’s Best Music Marketing Campa

, with Sony and the Jeff Buckley Estate, were among 40 campaigns featured from across the industry’s best:  Subscribe to Music Ally to see the 2016 From Bob Dylan to Sly and The Family Stone, Jeff Buckley amassed an eclectic record collection through the years. Fame House partnered with the Jeff Buckley Estate and Sony to bring his record collection to life through an interactive website. The project’s launch was covered by Fast Company, Billboard, Rolling Stone, Mashable, Entertainment Weekly, Noisey, The AV… November 30, 2016 Fame House worked with RCA Records to help bring to life the soundtrack to Netflix’s acclaimed new series, The Get  takes you into the world of the show, set in the South Bronx in the 1970s. The interactive site allows visitors to stream the show’s soundtrack as well as playlists from each episode through a digital boom box:Near the end of Universal Music Group’s pre-Grammy showcase at the ornate Theatre at the Ace Hotel in downtown Los Angeles, Joe Jonas’ band DNCE capped off its energetic two-song set of “Toothbrush” and “Cale By The Ocean” by taking a bow to a recorded snippet of Queen’s “We Are The Champions.”

As the crowd of music-industry executives, TV bookers and media cheered, the band jumped off the stage, made a beeline for UMG Chairman and CEO Lucian Grainge’s table and presented him with a gold trophy inscribed, “To the Best Chairman and CEO that we know!” beast b2st hoodieJonas then jumped on a chair near the label-group boss grabbed a bottle of rose wine off the table and raised it in a victory salute before taking a generous swig.jual hoodie pekanbaruIt was hard to begrudge the band or Grainge this brief display of self-congratulatory swagger. mens volcom sherpa hoodie2016 Grammy Nominations Predictions: Who Are the (Very) Early Favorites?game of thrones sigil hoodies

Of the 11 acts that performed at the three-and-a-half hour showcase, including The Weeknd, DNCE, Demi Lovato, Halsey, country stars Chris Stapleton, Thomas Rhett and Sam Hunt, the lion’s share of them had dominated radio, streaming and record sales over the last year, and the up-and-coming acts that the label group showcased among them, including pop wunderkinds Troye Sivan and Alessia Caradonatello hoodie, one-man electro R&B band Jack Garratt and alt-country rockers The Strumbellas, who were already generating plenty of buzz, if not sales and chart action.mcphs hoodiesTheir inclusion in the showcase meant that their respective UMG-owned labels, which include Republic, Def Jam, Capitol and Island, considered them priorities for the coming year and that their chances of becoming breakout artists were very good. 5sos hoodies ebay

Tori Kelly, who sat in the audience, had performed at last year’s showcase, and is nominated for Best New Artist at Monday's Grammy Awards. Kelly told Billboard that performing in the show was pretty nerve-wracking and was looking forward to watching her friends Halsey and Cara, “who’s just the sweetest person,” perform.The showcase began with an electric performance by The Weeknd, who looked natty in a grey suit and white dress shirt. Each artist sang two numbers, and Abel Tesfaye opened with “In The Night” followed by “I Can’t Feel My Face,” which led to a raucous standing ovation from the crowd.The Weeknd’s soaring, elegant sound gave way to a grungier but no less soulful sound with one of the afternoon’s standout performances by Jack Garratt. The bearded British multi-instrumentalist, who won 2016 Critics Choice honors at the Brit Awards, had the jaded crowd exchanging wide-eyed glances and bobbing their heads as he played guitar, keyboards and drums while growling his way through “Weathered” and then laying down some hard Cream-style blues riffs in the introduction to “Worry.”

For a solitary performer, Garratt put on a captivating performance that ended with him dropping his guitar to the stage and walking off.He was a hard act to follow, but Halsey managed just fine, stalking the stage in black knee-high boots, what looked like a metallic-trimmed bikini bottom and a black hoodie, her hair cut boyishly short. Known for her my-way-or-the-highway approach to her music, Halsey didn’t play her hit “New Americana,” instead choosing “Hold Me Down” and “Colors” for her mini-set. She was also one of a handful of artists who expressed her gratitude to UMG for being a company “that believes in celebrating your peers instead of competition.”  All Grammy Record of the Year Winners, Ranked: Critics' PicksTroye Sivan, who took the stage after a brief intermission to perform “Wild” and “Youth,” also told the crowd that “my mind is blown” that he was signed to a company “of people who work every day to make my dreams come true.”Other memorable moments: Canadian alt-country-rockers The Strumbellas evoking The Band with foot-stomping performances of “Shovels & Dirt” and “Spirits.”