Up to 30% Off the Top 100 Products from the Semiannual SaleDetail ImagesCurrent ColorLiveWire Quickdraw Select your style & size:Select optionsSelect optionsQuantityAdd To CartAdd To Wish ListTakes the whipper, and then some.The LiveWire Quickdraw is Black Diamond's burly beater for sport climbing, projecting, and hopefully redpointing your hardest routes. Feel free to leave this draw hanging on a bolt, and whip on it over and over until you reach sweet success. Both the Nitron carabiner's keylock nose and the LiveWire's HoodWire technology provide snag-free cleaning when it's time to find a new project. The durably thick Vari-width dogbone uses a StraitJacket to stabilize the LiveWire carabiner when you're clipping your rope.Nitron carabiner with keylock noseLiveWire carabiner with HoodWire technologyVari-width dogbone with StraitJacket Item #BLD00GQLearn moreLearn moreReviewsQ & AWhat do you think about this product?Write a ReviewHave questions about this product? DEDICATED PARK STYLE PERFORMANCE

CARBON TORSION CONTROL WITH 3D TIP REINFORCEMENT Utilizing the same shape as the groundbreaking Livewire Team, the Reefer Series introduces a heavy-duty sintered base and bombproof layup to create a board which is ideal for sliders, park riding and for general abuse. The Livewire Reefer receives a full makeover this year. Increased stiffness in the tips of the board increase the pop and drive, while the dual rocker and deep channel tip make the Livewire Reefer ideal for riders who prefer to ride more powered. This response is focused on the perfect “load and pop” optimized by the tri-axial Glass layup and Carbon Torsion Control. The 3D re-enforced tips allow the new Livewire to hold its rocker while enhancing its durability with the increased force these boards are having to withstand when riding with boots and on obstacles. The stiffest layup in the Airush board range, the Livewire Reefer is ideal for huge powered moves and, combined with the higher rocker, it is the ride of choice for Alex Pastor in any park style session.

Tyler, the Creator may be the figurehead and flashpoint of L.A. skate-rap mob Odd Future, but the duo of (rapper Beats and producer Left Brain) have been carving out their own space. Even within the crew, Left Brain's queasy, bottom-heavy beats and Hodgy's controlled-burn vocals and chaotic stage presence stand out. MellowHype's 2010 album BlackenedWhite was a focused and intense piece of work, and it remains one of the stronger entries in Odd Future's sprawling catalog. On July 12, Fat Possum will release a remastered, padded-out version of . We recently spoke with Hodgy about what it feels like to have snakes slithering on your face, Odd Future's forthcoming collaboration with , the whereabouts of Earl Sweatshirt, and how "the world is fucking fabricated with a bunch of bullshit." Click on for the interview. Pitchfork: With the "64" video, was it your intention to make a Marilyn Manson video? Hodgy Beats: No, it was my intention to make a MellowHype video. But Marilyn Manson makes cool music.

I was listening to his shit yesterday. Pitchfork: That over-the-top, spooky darkness is a little different from anything we've seen from Odd Future. Did the video come out the way you expected?fsd hoodieAnd the crazy thing is I don't even think it's that dark. tapout hoodies canadaPeople have seen the video, but they haven't really watched it. 11b hoodieCan you lay in a casket with snakes crawling over your fucking head and recite lyrics? personalized hoodies bristolIt was pretty difficult to do some shit like that.personalized hoodies bristol Pitchfork: Was that really unpleasant?shop bán áo bts

HB: It wasn't unpleasant. It was just like, "I have an objective, so I should seize it." When [director] Matt Alonzo sent me the rough draft of the video, me and Left Brain were just looking at it like, "Yo, this is unlike any other." Every video that we make is going to be different. Pitchfork: You say that the video's not that dark to you. What is dark to you? HB: Nothing's really dark. Nothing's really light either. I mean, I just live, yo. Fuck all that stupid shit. MellowHype: "Fuck the Police" [ft. Tyler, the Creator] Pitchfork: On "Fuck the Police", it sounds like you're making your own version of a Waka Flocka track. Was that what you were trying to do with that?I was going through Left Brain's beats and when I got to that one, and I was like, "Damn." He was like, "Yo, this song should be 'Fuck the Police'." I started thinking about it, and then I wrote my first verse, and he wrote his verse right there. Later on, Tyler came in and heard the song and was like, "Yo, I gotta get on that shit."

Half the things that happen around Odd Future are pretty random-- just dragged out of thin air. It's not like some big-ass plan to fuckin' take over the world and all the shit that people think it is. The world is fucking fabricated with a bunch of bullshit. Pitchfork: What do you mean by that? HB: I mean television, news, the fucking food that we consume. It's just a fucking setup. I'm starting to travel and see the world. You can tell that America does not even fucking love their people. I'ma move the fuck out of America, I don't give a fuck. Pitchfork: Where do you want to move? HB: Still browsing [laughs]. But I do plan on moving in like five years. "I was bummed because I didn't get to see any kangaroos in Australia." Pitchfork: Now that you've been touring outside the country, what are your impressions of some of the different places you've been? HB: I liked Amsterdam-- we got to see brothels. Brussels had this cool-ass skate park. Tyler had to do like six interviews there and he was fucking shitting bricks because I was skating in front of him, just trying to get better.

France was real cool, even though the fucking taxi drivers are idiots because they don't know which direction to go. Pitchfork: What did you think of Australia? HB: I was bummed because I didn't get to see any kangaroos. That's what I wanted to do. But the people are cool. They're not really used to seeing a lot of black people; you could tell just by the way they look at you. Pitchfork: When you do shows with Odd Future, it's all of you on stage at once. Do you want to do shows where it's just MellowHype?That will be underway when the next album, Numbers, comes out-- maybe even earlier. I'm down to show people what MellowHype is about. Our lifestyle is different than Odd Future's lifestyle, as a collective. Pitchfork: Since Odd Future started touring just a few months ago, you've gotten a whole lot more animated onstage. Has that been coming naturally to you?I'm getting more comfortable with what's going on when I'm on stage. Everybody has a role to play in Odd Future.

Tyler has asthma, so I have to be the hype nigga on stage. It's like a basketball team. "I don't want to be rapping over a Lex Luger beat. Why would I do that? I have my own beats." Pitchfork: Are you working on another MellowHype album? HB: Yeah, we've been cutting a bunch of songs, and every song sounds so different. On some of the songs, there's really no structure-- or there is a structure, but it's not like a regular rap song where there's a 16-bar verse and an eight-bar chorus. The sound is really evolving.  is just for everyone's ears. Numbers should be the eye-opener. Pitchfork: Are you going to do another solo album?It's called Damien, and I believe it'll be me rapping over mainly Tyler, the Creator's beats. I don't rap on Tyler's beats a lot, unless it's for his album. That album will be very ignorant. Pitchfork: Is there anybody you'd want to work with outside of Odd Future?The Black Keys, definitely. Nas-- which is in the works now, thanks to Frank Ocean.

that'd be fucking dope. I don't know if I'd even be able to make music with him. I'd just be sitting in the room fucking spazzing because I'm in a fucking room with Ozzy Osbourne. Pitchfork: Do you listen to Black Sabbath?Black Sabbath is tight as fuck. My manager recently put me on Pantera, so I've been trippin'. Pitchfork: What's the status of the Nas collaboration? HB: The song is almost finished. We're just waiting on a verse. It will be Frank Ocean, Tyler, Hodgy Beats, and Nas. I'm just stoked to be on a song with him. I know I'll meet him eventually. When I was younger, I met his father on an airplane. Pitchfork: In past interviews, you've been hostile to the idea of working with outsiders. You seem to be a lot more open to it now. HB: Actually, I'm still kind of a dick about it. I honestly don't like working with people outside of Odd Future because I don't want our sound to change. I want it to evolve, and that happens with people within the camp, not people outside the camp.