Celebrated artist Daphne Odjig was born in 1919 on the Wikwemikong Reserve, Manitoulin Island. Her heritage is a combination of Odawa, Potawatomi and English roots, the Native aspects of which were revealed to Odjig as a child on sketching excursions with her grandfather. From him, a stone-carver, she learned not only the legends of her ancestors, but also the use of curvilinear design for which she has become so well known. Odjig had painted for most of the years of her life, but it was in the 1960's that she began to exhibit a deliberately Native perspective in her work and, like her grandfather, felt compelled to try to instruct the young about their heritage. To do so, she began to focus her art-making upon the legends, joys and realities of aboriginal life, while simultaneously refining her signature style of utilizing clear colours, soft, curving contours enclosed in black outlining, transparency and overlapping of shapes and modernist, abstracted figuration. Odjig became a founding member of the first Canadian Native-run printmaking operation, the Canadian Professional Native Artist Association, or the "Native Group of Seven" as they were described in the 70's.

By this time , she was exhibiting her work several times a year, and had already gained international exposure in the United States, Europe and Japan. Her numerous awards include Honorary Doctorates of Letters from Laurentian University and the University of Toronto and more recently from Okanagan University College in June 2002, Thompson Rivers University in Kamloops in 2007, appointment to The Order of Canada, and the election to the Royal Canadian Academy of Art. In 2007, she was also given the governor's General award for Lifetime Achievement in the Visual Arts, followed by investiture into the Order of British Columbia. She also received the Award for Lifetime Achievement from the Okanagan Arts Awards in 2010. In addition, in 1978 she was presented with an Eagle Feather by Chief Wakageshig on behalf of the Wikwemikong Reserve, in recognition of her artistic accomplishments- an honour previously reserved for men to acknowledge prowess in hunt or war. Documentaries by the CBC, the National Film Board and Tokyo Television have been made about Odjig, and she's completed commissions such as those for Expo '70 in Japan, Royal Ontario Museum, and the 27-foot mural at the Museum of Civilization, "The Indian in Transition".

Highly stylized portrayals of human interaction, activities and relationships, particularly in the context of Native culture, dominate Odjig's painting, drawing and printmaking. Circular motifs predominate, signifying to Odjig "completion, perfection, and ...woman,". In her own words "As an artist and as a person I have been impressed since childhood with the process that takes us from the inner image to the external reality of an image. ahoi hoodieFor me it has been an endless source of delight and wonderment that awareness, thoughts and recognitions can come seemingly unbidden from an inner source that, in adulthood, I learned to call the unconscious. cheap north face oso hoodieI know now as an adult, that every one of us is a fusion of the eternal, of ancestral wisdom or caution as well, a seer of the future- but some part of us always remains capable of responding to here and now with originality."bmo hoodie boy

Designs inspired by Daphne's work have been used to produce clothing used in the National Aboriginal Achievement Awards in March of 2003.Recently more designs from her work have been used for ties, scarves and bandanas. In 2010 a line of children's clothing called the Nanabush collection was released in conjunction with reprinting the Nanabush series of books that Daphne illustrated previously.where to buy wild kratts merchandise in canadaA collection of fine women's coats and jackets have also been released. In 2007, 2008 and 2009 shows of Daphne Odjig's works were cris crossing North America. Forty years of her prints were being shown in Kamloops,BC and the Museum of Civilization in Ottawa,ON while forty years of her originals were being shown in Sudbury, ON, Kamloops,BC, Kleinburg, ON The Institute of American Indian Art in Sante Fe, NM, Regina, SK and the National Gallery in Ottawa.

Daphne is the first Aboriginal female to have a one person show at the National Gallery. This is yet another milestone that Daphne has achieved in her lifetime. Daphne Odjig passed away on October 1, 2016 at the age of 97.Her influence will be felt in the Aboriginal arts and the arts community at large for decades.Daphne said many times she was not a woman artist, a native artist, a Canadian artist but an artist for all. Daphne Louise Odjig CM OBC RCA LLB 1987 Member of the Order of Canada 2010 Order of British Columbia 2007 Governor General�s Laureate, Visual & Media Arts 2010 Okanagan Arts Award for Lifetime Achievement in the Visual arts, Kelowna 1982Doctor of Letters, honoris causa, conferred by Laurentian University, Sudbury ON 1985Doctor of Laws, honoris causa, conferred by the University of Toronto, Toronto ON 1993 Doctor of Education, honoris causa, conferred by Nipissing University, North Bay, ON 2002 Doctor of Letters, honoris causa, conferred by

Okanagan University College, Kelowna, BC (08.06.02) 2007Doctor of Letters, honoris causa conferred by Thompson Rivers University,Kamloops BC (8.06.07) 2008Doctor of Fine Arts, honoris causa,conferred by the Ontario College of Art and Design, Toronto ON (23.05.08) 2008Doctor of Laws, honoris causa conferred by the University of Western Ontario,London ON (12.06.08) 2011Doctor of Fine Arts, honoris causa, conferred by Algoma University, Sault Saint Marie ON (07.05.11) View a video of Daphne Odjig in the McMichael Collection here: No. 4 Brock men's basketball downs Laurier 71-58 Brock women's hockey blanks York 3-0 Murphy receives the Oonagh Hastie bursary Brock women's volleyball falls to Ryerson 3-0 Brock University Athletics has won 110 Championships in school history The Centre for Research in Occupational Safety and Health (CROSH) was established by Laurentian University to provide a formalized structure for industry, safe workplace associations, labour groups, government organizations and researchers to share workplace injury and disease problems and solutions.

WHO WE ARE AND WHAT WE DO Because we envision a northern Ontario where workplaces join together to ensure that every worker gets home safe and healthy everyday, we will be an active agent for discovery and innovation to solve the most relevant and pressing problems facing northern industries – such as mining, natural resources and health care – so that they can eliminate occupational injury and disease from their workplaces. To make this happen we will engage with workplace parties in all phases of research; create a network of international research partners to share and build expertise; develop a framework to facilitate knowledge utilization and sharing to ensure our findings are accessible to agencies dedicated to workplace health and safety; promote new discoveries to government and industry in order to positively influence policies and practices. CROSH brings together researchers with expertise in ergonomics, human factors, occupational health nursing, epidemiology, mental health, computer science, risk, fatigue, clinical physiology, labour studies and occupational disease.