Shop our selection of designermen's clothes, sportswear and accessories For any enquiries, please use the contact details below or view our FAQs Online EnquiriesMonday to Saturday: 9:00am - 9:00pmSunday: 11:00am - 6:00pm UK Landline: 0333 300 1000International/Mobile: +44 (0)20 3626 7020 In-store EnquiriesMon - Sat: 9:45am - 9:00pm Sun: 11:30am - 6:00pmT: +44 (0)20 7730 1234 Monday to Saturday: 10:00am - 9:00pmSunday: 11:30am* - 6:00pm *Browsing only between 11:30am and 12 noon , sign up below Submit your enquiry using the boxes below and add items to your favourites by clicking on the heart icon. My recently added items Japanese designer Kenzo Takada started his namesake label in Paris in 1970. More than 40 years later the brand is as popular as ever, thanks to the vision of Opening Ceremony's Humberto Leon and Carol Lim. The Co-Creative Directors inject a fresh perspective, whilst renewing the creative energy that the brand is known for.

Collections are whimsical and quirky, and instantly recognisable thanks to vivid statement prints and lucid colours.zumiez hooded jacket Price (High to Low)thrasher hoodie tie dye for sale Price (Low to High)ethiopian hoodiesFASHIONISTAS and style seekers at the ready – H&M’s collaboration with Kenzo Paris launches today.roughneck hoodies The launch has bought masses of queues to H&M stores across the country, with shoppers queuing overnight to get their hands on the collection. This year, French fashion house Kenzo is the big name involved – with Creative Directors Carol Lim and Humberto Leon aiming to produce yet another sell-out collaboration.

The women’s collab is full of vivid prints, feminine details and playful silhouettes Ambassadors for the collection include Chance the Rapper, model Iman, actresses Rosario Dawson and Chloe Sevigny and Japanese musician Ryuichi Sakamoto, amongst others. The tiger printed items are sure fire hits Model Iman is one of the ambassadors Popular items look to be the tiger-printed sweatshirts, £39.99, and t-shirts, £24.99, – as Kenzo is known for its iconic tiger head logo sweatshirts these will make for a classic buy with a much smaller price tag. Another one to nab (if you’re able) is a stand-out folky ribbon dress, £149.99. This folk-style printed dress, £149.99 is set to be a hero piece A trio of dreamy dresses are at the top of our #KENZOxHM wish list. Which piece will you stand in line for? A photo posted by H&M (@hm) on Oct 13, 2016 at 11:52am PDT Expect loud prints and lots of colour and offerings available for both women and men.

A statement from H&M says: “KENZO’s womenswear collection for H&M is a unique celebration of the brand’s vibrant heritage, full of vivid prints, feminine details and playful silhouettes. “Colours and prints are contrasted and clashed, kimonos inform the cut, ribbons and ruffles give folkloric charm, while sporty shapes add urban energy. “It’s a collection of designs that are totally unique to H&M, both wearable and inclusive, while also shining fresh light on one of fashion’s most thrilling histories.” It adds: “The menswear collection by KENZO x H&M is bold and powerful, a celebration of print, colour and self-expression.” Tiger print and pink stripe top, £59.99 Tiger print bow cap, £29.99 Men’s split design sweater, £59.99 Men’s green zebra jacket, £59.99 Bad news if you were planning on buying your pals a piece too – you can only purchase one of each item. This rule will apply to clothes, shoes, bags and accessories both online and in-store.

The #KENZOxHM fever continues 🐯 @dreachong pulls off the perfect combo in Lexington top & Jackson trousers! # A photo posted by H&M (@hm) on Oct 27, 2016 at 3:18am PDT UK and Ireland shoppers will need to head to one of the below stores to get their hands on the sough-after pieces: Be ready to be quick of your marks the morning of November 3. The collection is likely to be a sell-out – so you will need to be speedy (or be prepared to suffer eBay for your goodies.) When is the M&S Archive by Alexa Chung Winter 2016 collection released? The £13 Primark metallic lamé dress that every girl will want to be seen in this Christmas Ex-Towie star Amy Child’s slams H&M’s ‘strong women’ ad that includes a model with hairy armpitsThe three most cultish trophies of the moment sound ludicrous, possibly because, even by the most lenient criteria, they are. However cults have become an important component in fashion. Never mind trends, which waft around on a permanent wash cycle.

The cult item is like a comet, shining brightly and, usually, briefly, making an otherwise stylish outfit either look exceptional or very, very silly. So here are those three: Vetements DHL t-shirt (£185) above, a kangaroo fur-lined Gucci loafer (£650) and Vetements’ frayed hem jeans (£880). Silliness may even be part of the appeal. Today’s fashion labels are targeting customers who have everything they could ever need, and most things they want. Therefore elements of perversity and insider “humour” often become cult-triggers. If other people can’t comprehend why you wish to pay £175 for a Kenzo sweatshirt emblazoned with a tiger head (the cult of winter 2012), or find Givenchy’s £240 Bambi make up pouch (2013) kitsch, this merely confirms their status as fashion losers. For a certain kind of fashion-cool hunter, “seeing how something ugly or mass market, like Moschino’s McDonald’s French-fries phone case, can become designer is an engaging contradiction”, says Lucy Willis, senior fashion PR manager at Selfridges.

“Subversion of recognizable motifs is like an in-joke for fashion insiders.” Pricey as these objects are, they represent a relatively affordable way to buy into a hot brand. Irony is another draw. If you haven’t quite honed yours to Jane Austen wattage, then how about wearing that DHL t-shirt? And telling everyone you bought it first. There was much discussion on the front row recently about whether it was too late to buy into that Gucci mule – at least there was among the four people who still don’t have it. ’s buying director, thinks there’s still plenty of mileage in it. “It flew out the first season and we considered not buying it again,” she says, “ but we all still wanted it, so we bought it again and it still sold out again. It’s a great shoe. ’s Yasmin Sewell agrees - and has the experience to call these things right. As a buyer at Browns at the start of the millennium, she witnessed the frenzy for Sass & Bide’s skinny jeans. At the time Sass & Bide were a tiny, unknown Australian brand.

Then Kate Moss, at the height of her cool, wore their jeans repeatedly. “Getting hold of enough pairs became an issue, not just for retailers,” recalls Sewell, “but for the label itself.” Provided a brand is big enough, a cult item can be transformative for a business. The success of Fendi’s Baguette bag in 1997, which sold an estimated 100,000 versions in its first year, not only made it a hot label again but ultimately, in 2001, seduced Bernard Arnault into paying $225 for a controlling share. It also helped kick start the era of it-bags – an arena in which Fendi continues to excel. The impact and aftermath of cult status can be as traumatic as it is initially thrilling. A worldwide cult – and since the advent of social media, most cults now are instantly global – can suddenly attract £30 million worth of orders. For a label previously turning over £1–2 million that can create serious cash flow issues. “If they’re small,” says Sewell, “ they’re often not geared up to produce the quantities required.

If they’re big, they want to control supply, to keep demand going. It’s a constant pull-push between retailers, customers and brands.” Sometimes the public accepts delays – customers will wait years for their Hermes Kelly or Birkin. Yet witness the backlash against M&S in 2013 when that £85 pink coat sold out within weeks. If retailers and brands can control the drip feed of their cult, it’s a win-win commercial proposition. That’s not always possible, however.Eventually, ubiquity becomes the cult’s executioner, although even then, it doesn’t always die. There will always be a customer somewhere who loves it for what it is, even if the  label wants to move on. YSL’s Tribute shoe – a platform sandal designed by Francesco Russo for the house in 2004, back when its ready-to-wear was still called Yves Saint Laurent - became a huge cult and eventually  a staple of every Wag’s wardrobe. It’s still too a big seller for the Saint Laurent management not to continue producing it in new colours each season.

The same is true of the Rockstud kitten heel from Valentino, a label whose designers have a knack for minting cults. Identifying the cult before the entire world is onto it is part of the modern retailer’ skillset. “Sometimes it’s down to great design -the Balenciaga cut-out boots of a few seasons ago are still desirable now. Sometimes it’s because it’s right for a particular moment, to do with the way people are dressing,” says Kingham. Anya Hindmarch’s  I am Not a Plastic Bag  is an example of the latter,  launched before the financial crash eclipsed concerns for the planet’s future. The bag’s credentials were secured when it was chosen as the goodie-bag for guests at the 2007 Vanity Fair Oscar night party. When the first 20,000 launched there were riots in some towns – not least because at £5, prospective buyers knew they could make a killing on ebay. So much for the environment. The same could be said, contentiously, of Vetements DHL t shirts.

Previously worn by workers on low wages,  they’re now a fashion insider’s status marker, having been talked up, with zero irony,  as a  rebellious response to the corporate greed sucking the creativity out of fashion. Moschino’s  Stop The Fashion System slogan t shirts were also seen as anarchic back in 1990. Celebrities can help make or break a cult (Daniella Westbrook famously murdered the Burberry check) as can industry insiders. “You can’t ignore the power of hype,” says Yasmin Sewell. “But you need to gauge it right. At what point does it become the mark of a fashion victim?” Some cult items remain hermetically sealed off from mainstream fashion. Others end up influencing millions of copies – thanks to Vetements, this seasons denim must be frayed. And because of Miu Miu’s 2015 hit, all cotton blouses must henceforth be ruffled. Dior’s £265 double pearl Tribal earrings ingnited an entire pearl revival. One thing is clear: no brand, however powerful, can successfully manipulate a cult, no matter how much it advertises.