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Naturally, my musical choices also change along with the season. For me, fall music is warm and comforting yet dark and introspective. One of my go-to fall albums is Galaxie 500's On Fire, which achieves that nostalgic mood with its lo-fi dreaminess. The album's closer, "Isn't It a Pity" -- an inspired take on the George Harrison song -- begins with Dean Wareham quietly lamenting, "Isn't it a pity, isn't it a shame / How we break each other's hearts and cause each other pain?" But eventually, the song builds to a cathartic chorus, which washes away the melancholy. Like any great song for fall, "Isn't It a Pity" serves as both wistful escapism and a gorgeous palate-cleanser, ideally suited to those brisk morning walks. --Michael Katzif, NPR Music close overlay Buy Featured Music Your purchase helps support NPR programming. Earlier this year, young Mexican singer-songwriter Carla Morrison's new album, Aprendiendo a Aprender, left me breathless: She's shamelessly sweet, but it's no bubblegum pop.

She's as hopelessly romantic as she is blunt and assertive, and her folk melodies and Eartha Kitt-style crooning leave no doubt that she's more than a fad. In "Cuatrociénegas," she pairs up with Carlos Pesina, a heavyweight in the Mexican indie electronic scene. Carlos Pesina -- a.k.a. Los Amparito, Pepepe and Pesina Siller -- has made a name for himself by relocating traditional Mexican music in fantastical electronic landscapes. Case in point: In this track, Morrison's ethereal voice is mixed in with sparse electronic beats and guitar pluckings that, to me, sound like a walk in the park on a lovely autumn evening. --Jasmine Garsd, NPR's Alt.Latino Song: Laughing At Your Plans The Foreign Exchange is the R&B outfit of Phonte (rapper, singer and songwriter of the now-dismantled North Carolina rap duo Little Brother) and Nicolay, the multi-instrumentalist whose coruscating, typically Moog-driven production illuminates the duo's swooning and lustrous sound. Their latest album, Authenticity, is well-positioned to be the soundtrack of this year's fall season -- not only because of the timing of its release, but for each song's tailor-fitted mood and feel. 

The jovial and upbeat "Laughing at Your Plans," a duet featuring rising singer-songwriter Chantae Cann, is about as colorful and vibrant as the changing leaves of fall; in both a melodic and literal sense, it optimistically embraces that which is beyond our control. So bundle up in your hoodie and bask in the acoustic ambiance of this song as you bid the warm weather adieu. -- Andre Barnes, NPR Music I'm not sure what it was like around the rest of the country, but this summer D.C. was hot, I mean really hot -- the kind of hot that renders your shower useless once you step outside. Now, I'm not one to gripe about summer weather, but in all honesty, I've never been so excited for the leaves to turn. I've put away those jazzed-up dance beats, pressed pause on the beach-soaked guitars and taken a dive into the darker, cooler well of dubstep. Burial's music is perfect for the fall: forlorn samples about love and longing, lurking under buckling percussion and sustained through icy synth pads.

"Endorphin" feels particularly right at this time of year: If you're exhausted by the oven-like marsh that is our nation's capital, this breezy neurotransmitter is perfect for chilling out. --Sami Yenigun, NPR Music Song: Never Meant [Vinyl] Mike Kinsella is no stranger to weepy, face-pressed-against-the-window fall playlists. His solo project, Owen, sports a discography full of acoustic-led confessionals that stain the very sleeve his bleeding heart soaks. But the 1999 self-titled debut from his short-lived band American Football is an autumnal return. "Never Meant," in particular, is musically vibrant in the face of lost love. After a false start and a count-off that might otherwise suggest a rock-out, Steve Lamos' fake-jazz drumming moves the chordless, dizzying guitar work around like red-and-orange leaves on a gray lake. --Lars Gotrich, NPR Music from Portrait in Jazz [Riverside Bonus Tracks] The standard "Autumn Leaves" is usually performed as a ballad, and a forlorn, weepy one at that;