We offer both professional screen printing and embroidery services. We can also relabel the t-shirts with your own tag in the neckline! open a store, you need to purchase inventory. This is where you decide how many products you're going to carry, and in what quantities. to let us know what sizes to print. One of the benefits of getting t-shirts screen printed or embroidered is the fact that you can now buy at true wholesale, and sell at a competitive retailThe more you buy, the better pricing you can get!Try a run of 25 t-shirts per design and see how they sell. You'll still meet our minimum orders, and get great wholesale pricing.Increase your inventory to 100 or 500 per design. you have to worry less about inventory running out, you'll get even better wholesale pricing since your quantities have increased. With screen printing, there are no concerns about only printing on white or lightWe can print on dark colors, bright colors, camouflage colors,

No need to worry about multicolored printing or detailed artwork. of the art screen printing process and have a highly trained, full service, art department, that can work with you to make sure your designs can come out just as you created them. Each new order goes through several quality checks before being printed. one from the best quality checker of all...you! That's right, with each order, you will receive a graphical proof via electronic delivery so you can view the exact inks we'll be using to print your t-shirts, the print locations you've chosen for your designs including the exact print size for each location. mock up will include a sample of what your design will look like on the garment, as well as product mock ups for use in your PrintMojo store. Once you buy the t-shirts, you own them! Whether we warehouse them for you, or you decide that you want them shipped to you so you can sell them locally as well, you own the shirts to do with what you please.

Once you place an order, we'll setup an online shop for you to sell your tshirts. We'll fold and store your printed shirts in sealed plastic bags in our warehouse. When you receive an order through yourlululemon hoodies aliexpress custom Mojo Store, we'll process the order for you (we accept Visa, MasterCard,usc hoodie finish line American Express and Discover). tabor hoodieOnce the order is processed, we'll packagetde hoodie the shirts within 48 hours of the customer ordering it, and ship itcookie monster footie pajamas

In our Mojo Merchant management area, you will be able to login and view your sales in real time, set the pricing for your products, keep track of inventory with our inventory management tools, as well as get quotes and place orders for new inventory.grosby 'hoodies for your feet' slipper-socks We'll take care of hosting the store, storing the products, merchant account order processing, fulfillment of your customer's orders, timely shipment of the merchandise, and of course, professionally printing your designs so you can be proud of every t-shirt sold!You keep the rest. Your customers pay for shipping when they order the products from your store, and you are reimbursed for each t-shirt sold, plus any profit markup you've chosen. You can have the best t-shirt design in the world and never sell a single t-shirt if no one knows it exists.

That means in order to get sales, you've got to let people know how to find you. And once they find you, you have to make them want to buy from your store! The web has the ability to level the marketing playing field in many aspects. A new startup t-shirt line has the same ability to show up in an online search right next to the biggest name brands. Let the search engines work for you by making sure your store is search engine to list your t-shirt designs on. Put your Mojo Store URL in your email signature that is attached to every email Use targeted online advertising to reach potential buyers in your target market. Traditional offline methods of promotion can be key as well. offline advertising, and putting your store URL on business cards, stationary, and all company promotion material will help get your store seen. When you're ready to take the next step for your business, PrintMojo will be Click here to get started on your own t-shirt line today!

When deciding what to wear to a rave, it helps first to consider your objective: Do you want to look hot? Dress for the weather? Express your personal style?Or should your outfit simply complement the drugs you plan to do?Since raves kicked off in late-1980s England, fashion trends have gone through countless evolutions. In the early '90s, you wouldn't have looked out of place in Doc Martens, denim overalls and a dust mask lined with Vicks VapoRub. Nowadays you wouldn't look crazy in neon lingerie combined with Native American headdress.See also: Hilarious Raver Photos From the '90sThe oft-gaudy, dizzying convergence of styles - borrowed from sources as varied as cartoon characters, Rastafarianism, the goth scene and '70s psychedelic culture - seem random and arbitrary on their face. In fact, rave fashion has evolved alongside the scene itself, which was driven in its first days by American house music, ecstasy and the influence of Ibiza's club scene.British DJ powerhouses Paul Oakenfold, Danny Rampling and Nicky Holloway are given credit for helping to popularize the music and ethos of the early underground rave scene.

They took their first hits of ecstasy in the summer of 1987, while on vacation together in Ibiza. The euphoric, throbbing beats of the Spanish island's unique DJ sound - called Balearic, and combining styles such as early house music, Europop and upbeat rock - suddenly made more sense on drugs. The three men pledged then and there to bring their experience back to England.Oakenfold and Rampling opened electronic music clubs, and Holloway started a venue focused on psychedelic-tinged subgenre acid house. Ecstasy, though illegal, was tolerated, and the scene inspired a change in typical nightclub fashion.At the time, many clubbers wore designer garb. "The goal was to stand at the bar and look cool," Oakenfold says now from his Los Angeles home. But designer duds gave way to Converse sneakers and oversized tees, which were more conducive to sweating and dancing the night away on ecstasy. "Literally overnight, rave fashion took over the high street, and people were interested in dressing down," he says.

By 1989, the new chic club look was baggy and colorful - visually stimulating for folks who were high. Kids wore overalls, smiley-face T-shirts, paisley and tie-dye. Toy whistles and bright plastic beads replaced fine jewelry, as club style went from bourgeoisie to bohemian, drawing influences from the dressed-down clubbers of Ibiza and Summer of Love psychedelic imagery.But venues couldn't stay open all night, so the club kids moved to abandoned buildings, airplane hangars and open fields. When the rave scene spread to America, U.K. transplants brought their ostentatious garb to the first raves in New York, San Francisco and Los Angeles.California soon became an important rave hub, one where a new style began to dominate: Hip-hop-influenced kids introduced Adidas shell toes and baggy sweatpants, with colorful surf- and streetwear mixing in.See also: Our slideshow of '90s rave fashions"You'd get kids who would come for the hip-hop and funk ... the good-looking surfer guys and chicks, and then you had all the arts and fashion community," recalls Steve Levy, who in the early '90s ran a popular club night called Truth at the Park Plaza Hotel in Westlake.During that time, an artsy student who attended these parties started creating graphic tees.

Rick Klotz's company, Freshjive, parodied popular corporate branding; one shirt substituted "Truth" in the Tide detergent logo, while other works put a spin on Twister, Crayola and 7-Eleven's Big Gulp. "Freshjive, outside of Stussy, was the most important early-'90s brand that was touching rave wear and streetwear," says Raymond Roker, founder of URB magazine.Surf and skate companies like Clobber, Quiksilver and Conart got in on the action, too, catering to ravers with bright, loose-fitting logo gear. Boutiques like Beat Non Stop began popping up on Melrose, offering extreme wide-leg JNCO pants. NaNa in Santa Monica had the chunky Converse sneakers and Doc Martens. By the mid-1990s, everyone was dressing like grade-school kids, in giant furry-animal suits, Mickey Mouse gloves, Dr. Seuss hats and pony bead bracelets. You might have seen a girl dancing to Sasha & John Digweed sporting glitter gel in her pigtails, with a feather boa, rainbow suspenders and a tiny, stuffed-animal backpack.

The dude with her might have had a full-body Pac-Man costume, or a Tickle Me Elmo puppet on his arm. Meanwhile, ravers sucked on pacifiers to alleviate teeth grinding, while the strong scent from the dust masks smeared with Vicks intensified the ecstasy's euphoric effects.But the raves - with names like Grape Ape, Camp Snoopy and Smurfs of the Enchanted Forest - were a chance to feel like a kid again, the ultimate escape from young-adult responsibilities. Even today, attendees wear, essentially, Halloween costumes to events with names like Winter Wonderland. Jack Mack Rhythm N Blues Revue Mixing in were the club kids, who dressed up as anything from angels and Hindu deities to Cirque du Soleil - like characters. Club kids gained popularity at famous '80s-era New York clubs like the Limelight and the Palladium; much of the fashion was do-it-yourself, and many were cross-dressers or gay youth who had found a vital form of self-expression. By the early '90s, L.A. club kids sported everything from furry boots and gothic fetish wear to nipple pasties.

See also: A Look Back at Rave Fashion in PhotosParties from the Western United States became increasingly influential as well. Molly Hankins, editor at EDM-focused TheBPM.net, stresses the influence of the provocative costumes at the electronic-heavy desert festival Burning Man, which features anything from armored Mad Max - style costumes to whimsical fairy or unicorn getups. "Burning Man is all about radical self-expression," Hankins says.Though it seemed poised for a mainstream explosion, by the early aughts the rave scene had lost momentum, partly due to government crackdowns. But by the end of the decade it was bigger than ever, and we now live in the era of gigantic, corporate EDM festivals and DJ music on mainstream radio. As for the fashion? It's more sexualized than ever. Whereas style once had a utilitarian function - you could store your keys in those baggy pants, after all - it now seems to be an arms race toward nudity. (No matter what the temperature.)Sure, you still see kandi bracelets and cartoon outfits.

And some elements of hippie culture remain, which could explain those deplorable Native American headdresses. But baggy jeans have been traded in for booty shorts and tutus, and tie-dye crop tops have been swapped for bras covered with daisies."We live in a much more sexualized time, especially if you look at the ready availability of porn imagery," Roker says. "Aesthetic beauty is hyper-real and hyper-important, and it wasn't like that back in the day."If the early underground Midwestern house-music parties and club-kid scene was largely about giving repressed kids a safe space to be themselves, the now-mainstream EDM scene seems to be about giving girls from the suburbs a chance to show off their butts. "Raver kids were the freaks and geeks, and they aren't anymore," Levy says.L.A.-based DJ Fei-Fei says: "Back then, a lot more people were solely there for the music. Now half the people [at raves] don't even know the music."And there's no doubt that many DJs themselves contribute to this sexed-up atmosphere.