A New Era Of Terror! Like in all horror stories, no one is safe from being killed off. Dr. Ted Killer Miller replaced our first drummer Theo after our debut album Metal Moshing Mad in 1999. Miller served his time well, playing with us on 3 albums and countless live shows. But time has come to welcome fresh blood into the fold. After a series scrutinizing tryouts and a 4-hour fika the decision was made to recruit one of the most terrifying and vicious maniacs in the world today. His playing style is a mix of razor sharp precision and feral rage. He is one of the most dangerous men in the world and he is now one of the four. Give a four-finger salute to… For your viewing pleasure, allow us to present: Scream Bloody Mosher – The Video. Filmed and edited by Simon Wettervik. We’re proud to announce we will be co-headlining Motala Thrashfest with Havok on July 19th. We’re having a big sale over at our merch store where we’re selling some older shirt designs at over 50% OFF!!!

Most of these shirts will never be reprinted so be sure to get them while they’re still in stock! |||| House of Metal Warm-Up ShowSince being a bit rusty from not being on stage since November last year, we’re doing a warm-up show for House of Metal Festival, Umeå, Sweden. This very special event will take place in the small and sweaty bowels of ROCKS in Stockholm. It will be mean, in-your-face and downright dirty. And it will be a night to remember. So make sure you get there early as there is no pre-sale. I mean really, are ya, punk? ||||A Nightmare on Elm Street gets a whole lot worse with a Freddy Krueger Glove! This killer costume addition features a brown fitted glove with a hard plastic structure and attached blades that look real enough to cause nightmares. An adjustable wrist tie ensures fit and comfort while you're slashing your way through the Halloween party. Use a Freddy Krueger Glove to complete your Freddy Krueger Halloween costume look. A Nightmare on Elm Street Freddy Krueger Glove product details:

6in wide x 12in long One size fits most Officially licensed ©Warner Brothers A Nightmare on Elm Street product. This product has no reviews. Your item(s) have been added to your cart. We've Got You Covered! Please fill out this form, and we'll email you when your item becomes available. * Asterisk denotes required fields Sign-up for emails to get tips,new products and specials from Party City. Your request to be notified was received. kr3w hoodies canadaWe'll be in touch shortly.meerkat hoodie Thank You for visiting a Party City Storemudkip hoodies Horror Block Spoilers, Subscription Box Spoilers |assassin's creed 3 outfit racks empty

Horror Block October 2016 Spoilers #2 + Coupon! This post may contain referral/affiliate links. Read the full disclosure. We have a new spoiler for the October 2016 Horror Block: Exclusive Nightmare on Elm St. Freddy Hoodie Flask In case you missed it, the October 2016 Horror Block will include: What do you think of the spoilers? There are two coupons to try – a lot of time they issue an early bird coupon for early subscribers, so first try EARLYBIRD20 to save 20%. exo wolf hoodie officialIf that doesn’t work, use coupon code NERDADDICTION to save 17% off your first month!cheap powerstroke hoodie Check out our Horror Block Reviews to find out more about this subscription.wwe hoodies malaysia

All views in this review are the opinion of the author. My Subscription Addiction will never accept payment in exchange for a review, but will accept a box at no cost to provide honest opinions on the box. This post may contain affiliate/referral links. Read the complete My Subscription Addiction disclosure. Freelance artist raised by the 80's. Follow me on Instagram: or on tumblr: on Facebook: The Art of Rocky Davies Catch up instantly on the best stories happening as they unfold.#freddykrueger #Freddy #80smovies #80sstyle #art #villain #nightmareonelmstreet #vectorart #80s #horrorTry again or visit Twitter Status for more information.JAWS - Brody Quote T-Shirt JAWS - Hooper Quote T-Shirt JAWS - Quint Quote T-Shirt Make America Ape Again T-Shirt Shaw Brothers - Crest T-Shirt Watch More Movies T-Shirt The 36th Chamber of Shaolin T-Shirt (#2) Friday the 13th Knit SweaterWhat is it that makes translating Stephen King’s work to film so difficult?

The horror maestro has been adapted many times since Salem’s Lot first brought the beloved author to the screen back in 1979. But outside of a few very notable exceptions (Misery, The Shining), King has rarely been done justice. The issue is that cinema, by its very nature, is a literal medium. King’s work lives in the mind, where the reader is allowed to give shape to his images; his prose is best imagined, rather than seen. Dreamcatcher is a good example. The novel, in which four best friends fight parasitic aliens, has a bizarre, hallucinatory quality — which King attributes to Dreamcatcher being written under the influence of Oxycontin. If the book was a fever dream, the movie was like being forced to listen to that dream and realize how nonsensical it all was. Dreamcatcher’s antagonists are shit-weasels, after all. Cell’s conceit isn’t any less silly. An electromagnetic pulse is sent to every cell phone in America, and if answered, the transmission turns the user into a zombie.

The film opens in the Boston Common. Clayton Riddell (John Cusack), dialing from a payphone, has just finished begging his estranged ex-wife to allow him to see his son, whom he hasn’t visited in over a year. Their conversation is cut short when the people around Clay begin to change, viciously attacking each other. A policeman feasts on his own security dog. A young woman bashes her head repeatedly against a wall before flashing Clay a bloody, toothless smile. This sequence is reminiscent of the opening of M. Night Shyamalan’s The Happening, a tone poem punctuated by random acts of suicide. But director Tod Williams doesn’t seem to have any idea how to film his breakout. His previous feature credit was Paranormal Activity 2, a series long defined by the terror of stillness; because the camera doesn’t move, the audience can’t look away. As a director of action, Williams struggles. Filmed with handheld cameras, the zombie attacks have a harried, frenetic quality, as if the filmmakers learned the wrong lessons from The Bourne Supremacy.

In Cell, the chaos doesn’t look like poetry. It looks like chaos. Clay breaks free of the nascent horde, finding shelter in a broken-down subway car; he joins forces with Tom McCourt (Samuel L. Jackson), a gay train conductor who suggests that the passengers take shelter in the tunnels. After a member of their contingent is killed by what they call “phoners” (no one in Cell dares utter the word “zombie”), the two take shelter in Clay’s apartment while they devise next steps. While in hiding, the men discover that his teenage neighbor, Alice (Isabelle Fuhrman), survived the uprising. Alice knocks on Clay’s apartment door covered in blood, after she was forced to kill her mother. Given the absurdity of the premise, Cell isn’t nearly as luridly entertaining as it should be. Because Cell needs an emotional arc, the trio venture out into the end times to find Clay’s wife and son. During their journey, they discover that the phoners have telepathic abilities, as though they share a singular hivemind.

Should you be spotted by one of the undead, they will all be aware of your location. This is because, as the characters surmise, the phoners are all hooked up to the same network. At night, the creatures lay stiff and lifeless; because “on the nose” is the only card Cell has, this is described as “rebooting.” In King’s novel, this forms a funny, tongue-in-cheek allegory for conformity and mass consumption in the digital age, like the mall portion of Dawn of the Dead stretched out to novel length. Cell, though, treats its subject matter with alarming seriousness, as if Williams were worried he might be making a Nicolas Cage movie, but the material cries out for the gonzo, pulp energy of a B-movie. You never go half Shyamalan. During their mission, the team discovers a boarding school that’s been turned into a refuge for weary travelers, where they take lodging for the night. The former headmaster says that he knew this was coming all along, describing cell phones as “the devil’s intercom.”

That evening, the characters bond by napalming phoners together. Cell isn’t just unnecessarily glum and grim; it’s also pretty dumb. The film’s villain is a mysterious man who appears in people’s dreams (a’la Freddy Krueger) wearing a red hooded sweatshirt. The characters refer to him as the “King of the Internet,” but he’s known as the “The Raggedy Man” in King’s book. Tom realizes that he’s seen this nefarious face before — as a sketch in Clay’s apartment. The King of the Internet is a character from a graphic novel that Clay was working on. They later meet a man in the woods who hasn’t slept in nearly a week, in order to avoid seeing the figure in his nightmares, who tells Clay that he needs to finish the story. Does that mean that Clay created the uprising? Or is Clay actually the “King of the Internet?” Those great questions — along with many others — will be raised and instantly tossed aside in Cell, which ends in a grand finale that’s less ambiguous than deeply confusing.